Helen Birmingham - Contemporary Quilting.
I also really like the look of couched thread, string and wool. My favourite hand embroidery stitches are a plain running stitch, bullion stitch and a simple fly stitch.
I'm busy making samples and setting up an online shop for TRADE customers.
The product which I'll be launching at British Craft Trade Fair in April 2014 is a versatile quilted panel design, broadly based on my studies into evolution and heredity. I am using natural fibres for the outside 'look' of the panels, but as a child of the 1960's I have a reminiscent sentimental love for Terylene wadding in eiderdowns and quilts. I am using 4oz wadding, which gives that wonderfully puffy, over-stuffed comforter feel.
Each panel begins life as a piece of linen measuring 18" wide by about 6ft long. I work the surface with the addition of appliqued and quilted fabrics, such as linen, hemp, wool, silk and cotton. I am particularly fond of hessian, jute and muslin with very open weave, the structure of which i can physically manipulate before stitching to the suface of the panel.
Once i am satisfied with the look or feel of the panel, and before using wadding or batting, or binding the edges, I make a decision as to the end product i wish to make. This either involves cutting the panel into smaller sections, for example for a cushion or a bag, or stitching panels together to form larger wallhangings or throws.
I think this will provide a versatile method of working. I have a very creative mind, and have acknowledged my constant need to keep moving forwards with ideas and projects. I believe that this method of working will mean that i can adapt ideas and design within a fairly stable framework. I will be able to make a 'stock pile' of panels, and then adapt them according to the orders i receive. I am very happy with the progress of this project so far. I have my logo. I nearly have my on-line shop. I am making good samples, thinking about the 'look' of my trade stand, and have an information leaflet ready to send to printers.
Onwards . . . . . .
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